I am attempting to listen to all of my records in alphabetical order, sorted alphabetically by artist, then chronologically within the artist scope. I actually file compilations/various artists first (A-Z by title) and then split LPs A-Z and then numbers 0-9 with the numbers as strings, not numeric value. But I'm saving the comps and splits til the end, otherwise I have to start with a 7 LP sound poetry box set and that's not a fun way to start.
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14 May 2011
Cometa Fever - 'Dead Light' (What The ...?)
A one-sided 12" means that I only have to write about half as much here, right? In addition to being only 5 songs, this is also pressed in an edition of 112 copies of which I have #108, so chances are you won't be able to find this for sale anymore. Three years ago these five songs felt like a weird, Italian take on bedroom psychedelia, clearly influenced by stuff like the Jesus and Mary Chain, Magazine, and A.R. Kane, yet with a somewhat more casual twang. And now, the indie blogs of today are filled with bands who sounds shockingly similar to Cometa Fever. The mini-band feel (Cometa Fever are only a duo, with all the rhythm tracks coming from a can) is certainly common today; this is probably not miles away from Blank Dogs, which in 2008 were just hitting the scene. 'Neon, Baby' is a drawling ballad that is sort of beautiful in its monotony; of course, all the vocals are mixed in such a way that the lyrics are pretty unintelligible (though they're clearly singing in English). Lo-fi textures are everywhere, never that radical but with just enough static and hiss to feel amateur; how about the title track's guitar grind? 'Black' closes the record with a jaunty bassline, somehow singsong in its darkness. It's not proper melancholy but a bit of an act, which I like - it suits the style well. Over time, this has grown on me immensely, though it feels a bit unremarkable given the glut of things sounding like this; I dig it, though, a ton, maybe irrationally so.
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