I am attempting to listen to all of my records in alphabetical order, sorted alphabetically by artist, then chronologically within the artist scope. I actually file compilations/various artists first (A-Z by title) and then split LPs A-Z and then numbers 0-9 with the numbers as strings, not numeric value. But I'm saving the comps and splits til the end, otherwise I have to start with a 7 LP sound poetry box set and that's not a fun way to start.
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17 June 2011
Galactic Supermarket (Kozmiche Musik)
Strictly speaking, this isn't credited to the Cosmic Jokers but I file it as the second of their "albums", though (as we have already discussed) these are just recordings released by an evil svengali trying to make a buck off the name of Ash Ra Tempel, etc. Galactic Supermarket is a somewhat more eclectic and interesting record that Cosmic Jokers. 'Kinder des Alls' is less horizontal than anything on the first album, bringing in some delay-affected small sounds - it's more like a collage of quieter subjams where maybe not all of the members are playing at once. Guitars are less dominant; I hear some ivories being twinkled and far more effects and processing than the first album. Someone's girlfriend sings a little bit again, her voice manipulated in a Brainticket-like manner. It's definitely more NWW-list style psychedelia than before, though things still coalesce into group crescendos. I have a vague suspicion that some post-party overdubbing may be at play. The liner notes indicate (in English, strangely) that this is a quadrophonic recording and I can only imagine how great it would sound were I in a similar state of mind and placed equidistant between a quartet of speakers. The title track, on side two, is also erratic in structure but also lurches into loud jammy freakouts more. There's a really strong sense of improvisation on the quieter bits, and all of these musicians know how to let each other breathe. Occasionally there are rock guitar riffs but they never dominate, usually melting into a noisy sound ball. The synths are full-on too, sounding like various teleportation chambers bringing musicians in and out of the party. I don't know if these jams were from the same session that produced the first album, but they certainly are a 'development'. The cover artwork is like a technicolour version of the early Blue Oyster Cult album covers, and the pseudo-Timothy Leary associations are appropriate. This, really, is the winner of the two and I've always avoided the later releases which I've been told are barrel-bottom-scraping.
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