I am attempting to listen to all of my records in alphabetical order, sorted alphabetically by artist, then chronologically within the artist scope. I actually file compilations/various artists first (A-Z by title) and then split LPs A-Z and then numbers 0-9 with the numbers as strings, not numeric value. But I'm saving the comps and splits til the end, otherwise I have to start with a 7 LP sound poetry box set and that's not a fun way to start.
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16 September 2011
The Cure - 'Boys Don't Cry' (PVC)
And here we go again, through most of the same record. Though the awesome Hendrix cover has been removed (too much for American audiences to handle, perhaps?) we do get 'Killing an Arab', a song which I don't need to hear again, despite how cool I thought it was in high school when I was reading Camus. Actually, in the Mark Pauline interview in the RE/Search Pranks book (aka, my bible) he talks about how he dressed up all of these dead pigeons like Arabs and then built some machine/assembly line to decapitate them as a performance piece, while playing the Cure song, and no one quite knew how to interpret it. Hmmm. Anyway, I certainly didn't mind hearing 'Accuracy' or 'Grinding Halt' again - it's great how poppy, yet dour, these tunes are; just enough to sing infectiously after the record has stopped playing. I couldn't really tell much distinction between the mastering/fidelity of the two pressings; they're really interchangeable, and it just comes down to whether or not you want to hear 'Plastic Passion' (I don't) or 'Boys Don't Cry' (I do; so it's a coinflip for me). The artwork reminds me a bit of Ashley's Automatic Writing but there's nothing that avant-garde to be found in these grooves. It's silly how two of the three Cure albums I own are mostly the same, but that's my fault for not snatching up the (very good, from what I remember) Faith and Seventeen Seconds when I had a chance.
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