At one point, John Davis sounded so extreme to me. The songs were so loose, so open, and so fey, that there was nothing for me to latch onto. Over time I came to love this; Pure Night is pretty much the Davis M.O, laid as bare as you could be. It's an LP that was modeled after a cassette, as tape space/hiss is the main ingredient. As minimal as this is, I'm not saying it's mostly silence - just music that is very aware of how to breathe, breathe, breathe. 'To Care Today' is the one foray into rock music, or at least it has a drumbeat, but even that feels loose and empty. Most of the songs are just fragments, a few words, some plucked strings, maybe a phrase like 'Looking out/over fields of green' (from closing track 'Blind Love'). But Jandek this is not - Davis has a strong musicality that adheres to conventional elements of beauty, just in a totally unwrapped style. There's a few moments of intensity - 'Angels surround' is perhaps the masterpiece, where the concrete-like tape collage and various folk/rock influences converge into a sea of madness. 'No One Around' builds on a strummed acoustic chord progression, being my mixtape choice from Pure Night. Davis's world is barely held together, yet utterly beautiful. Pure Impressionism may have been a more descriptive title, though the enticing glow of night skies infuses every song. The guitars sound piercing and flanged at times, probably due to the warbling cassette 4-track this was recorded on. I'm a sucker for music that conjures up these moments - quiet, majestic and still, perhaps a bit adolescent in the way they reflect wonder and awe.
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