Don Dietrich/Ben Hall - 'Spitfire' (What The--?)

Three blistering tracks of free-skronk fury, allowing Dietrich to rip it up without the Borbetosoup around him (I've seen it live but think this is the only recording I've grokked). Ben Hall plays the drums real well, on the first track actually propelling things melodically and on the flipside being an absolute fury of the racktoms. It's a plundering of Sunny Murray's legacy, but I mean that in a good way - the beat is always falling through the centre, like a cylinder spinning so fast you don't know the bottom drops out (remember that amusement park ride?). Dietrich's tone is absolutely sick; on the second track it starts to mellow slightly, but the side-long second half of Spitfire is firmly in the upper scratch channels. Ayler's the obvious comparison because of the tone and construction, though this surprises me a bit - Dietrich always struck me as one step further away from the jazz tradition, though maybe this is Hall's influence. The tempo never drops, not even for a second, and while I often would cite that as a criticism, in this case I'm quite satisfied with the fury. The recording is just the perfect level of fidelity and I like to think of the three planes on the cover as representing three tracks.