Bill Fox - 'Shelter from the Smoke' (Scat)

I was just talking about Bill Fox with a friend from back home, and I called him "the Bob Dylan of the Rust Belt" which is a bit of hyperbole, sure, but who else would it be -- Donnie Iris? Scat reissued this a few years back on vinyl, one of the first in hopefully a growing trend of great 90s records that were originally released only as CDs getting the vinyl treatment years later. Because my dream of eventually having 0 CDs can be achieved! Fox is really a genius, and this is sort of what you'd expect from an aging punk rocker. Lots of acoustic guitars, to the point where it feels mostly like a singer-songwriter album, though a few rockers such as 'Way Way Down' (which could be a Vampire on Titus-era Guided by Voices outtake) and 'Let's Be Buried Together' (which sounds pretty much like the Mice). The opening track, 'Over and Away She Goes' sets the tone by sounding like a neo-Byrdsian folk number; tambourine and shakers and bright jangly guitars do wonders to mask Fox's raspy voice, though I love his singing and don't mean that in a bad way. The Dylan influence is most obvious when there's harmonica coasting over the strum ('Baystorm', most obviously), but the band-led 'Grand-Ville Blues' could be mistaken for the Hawks circa '65 if you squint your ears. Many of the acoustic songs have an almost fairy-tale like quality; a tendency towards sing-song cadences, which makes this a pretty catchy album ('Let in the Sun' is almost a hymn in its simplicity, but that's also not meant in a bad way). When he slows down and opens up ('Sara Page', the aforementioned 'Daystorm') the space really builds it. I'm not from Cleveland but close by, and listening to this transports me back there in some way, even though I first heard this years after I left home. This isn't a trailblazing record, nor a clear example of an artist baring their soul, but it's full of such strong songs that it congeals into a small masterpiece. If only Transit Byzantium could get the same reissue treatment!