The anti-natural manifesto is not anti-human in any sense, and I'm struck by the physical effects of listening to multiple Idea Fire Company records in a row. Stranded bears little resemblance to the Roxy Music classic, but also takes a great step forward from what the duo of Karla Borecky and Scott Foust exhibited on Anti-Natural. Here, the group has expanded to a quartet, though that doesn't alter the clarity of their vision one bit. I find that the different tracks affect me in different ways, physically, here; there is a breathing ebb and flow that generally is present in every piece, but it moves from placid and contemplative ('Heroes') to edgy and nervous ('Wünderwäffen', 'Artificial'). Foust is entirely relegated to radio and tape duties here and his preparations are masterful, particularly the murmuring voices buried beneath 'Stranded II's music-box melody. Where a lesser musician or sound artist might gravitate towards sentimental nostalgia with such material, IFCO eschews any such reading and infuses a cold isolation, using the radio to conjure mysteries that do not reflect on culture's reading of the future from the past, like so much music called 'hauntology' today. The voices on 'Heroes' are shockingly beautiful, rotating in an echo of a dream; here's where more traditional musical aesthetics are dabbled with, and it's extremely rewarding.
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