I went through a Chris Knox period in college and those first couple of solo LPs are great, something I'd recommend to everyone (and strangely, I don't have any of them as physical copies to place under analysis here). This is a 12" single with a slim (but technically existing) spine, which means I never remember it's here as it doesn't catch my eye when browsing (and the Ks are right in the middle of my line-of-sight when standing). It's the only Chris Knox vinyl I own, so I'm grateful for this project to remind me to listen to it. Side A is Knox's biggest hit, rendered here at 45rpm, a tune which actually even charted in some countries, though possibly only southern hemisphere ones (not that there's anything wrong with that). But Knox, being the generous genius that he is, surly figured 'Why have one B-side when you can have 10?'; this side is labeled Guppiplus!! as it's mostly made up of material from Knox's very rare 1982 solo LP Songs for Cleaning Guppies, which I've never heard in its entirety. The ten songs here lean towards the more experimental side of early-80s Tall Dwarfs work, with a home-studio sound not too far off from the vibe of Seizure and Croaker. The more experimental parts come to the forefront in the way Knox treats his voice; 'Jesus Loves You' uses a processed silly baby voice as a harmony over a clanging percussive loop with backwards effects; it recalls early 80s UK electronic/industrial underground music, which may or may not have actually been an influence then. 'Indigestion' is a heavily rhythmic song approaching rap; 'Sandfly' is totally a-capella and calls out Bobby McFerrin in the liner notes. I can imagine people who bought this for 'Not Given Lightly' and the sweet romanticism of it would find little to enjoy here on the flip. Even the closer-to-pop songs, like 'Over and Out' or 'I Wanna Die With You' have more art-school swagger to them than 'Not Given Lightly', which is a wonderful song for sure but not one with any element of being damaged. My pick of Guppiplus may actually be 'More or Less [Lethargy]', which creeps through a sludgy guitar strum and has a great, classic Kiwi drone-melody. Rendered in Knox's cheerful croon, it sounds absolutely wonderful, but I do love the sound of his voice. The song stops and sputters but stays within the bedroom aesthetic; it's the shining example of what Knox does.
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